Nolan Kerr Artist Consultants, Ltd.
Sunday, March 18, 2018
Performance, pure and simple.
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Hailed as one of the leading flutists of her generation, April Clayton is in ever increasing demand as a soloist, chamber musician, orchestral player and pedagogue.  Performance highlights include venues such as Italy’s Palazzo dei Congressi, Leipzig’s Gewandhaus, the Holder’s Season Festival in Barbados, as well as recitals in London, Zurich, Paris, Moscow, Vancouver, Mexico, throughout South Korea, New York City, and across the United States.  This year she was made Director of Chamber Music for the European American Musical Alliance (EAMA) Summer Program, held at the Ecole Normale de Musique in Paris each July.  The program attracts student composers and chamber musicians from top schools around the world to study in the tradition of Nadia Boulanger.  In recent years, she has worked there with Claude Baker, Robert Beaser, Narcis Bonet, Simone Dinnerstein, Sofia Gubaidulina, Michel Merlet, and Emile Naoumoff, among others.  Ms. Clayton has been the flute faculty member in residence at the XIX Seminários Internacionais de Musica at the Federal University of Bahia in Salvadore, Brazil, where she performed, taught flute lessons, and coached chamber music. 
A dedicated performer of new music, April Clayton has participated in numerous premiere performances.  She has collaborated with a long list of composers, including Lance Horne, Philip Lasser, Harold Meltzer, Bernard Rands, Peter Schickele, Manuel Sosa, David del Tredici, George Tsontakis, and numerous others in Paris, New York, Ohio, Colorado, and Utah.  She presented a concert of premieres written for her in Zankel Hall at Carnegie Hall on April 22, 2008.  Her CD of flute concertos will be released during 2008 on the Tantara Label, featuring two new concertos that were written for her by Todd Coleman and Murray Boren.  She has received two “Best Performance” awards from the National Flute Association for her renditions of newly commissioned compositions.  Ms. Clayton received a Full Fellowship to attend the Aspen Music Festival as the flutist with the Aspen Contemporary Ensemble.  She also toured internationally with the New Juilliard Ensemble.  Additional new music performances include the Summergarden Concert Series at the Museum of Modern Art in Manhattan and Lincoln Center’s Focus! Festival for New Music. She is a member of the Orpheus Winds Quintet and Associate Professor of Flute at Brigham Young University.  She recently performed as a guest with the New York Woodwind Quintet.  During the fall of 2007 she was a Guest Artist Instructor at the Conservatoire MJC du Vesinet and the Centre de Musique F. Hasselmann in France. 
April Clayton was a National Merit Scholar at Oberlin College and Conservatory, studying flute performance and mathematics.  She subsequently graduated with her B.M. (summa cum laude) and M.M. degrees from the University of Cincinnati College-Conservatory of Music.  At The Juilliard School, she was a Starr Doctoral Fellow and the youngest student to have been admitted to the D.M.A. program.  She is a member of American Mensa.  Ms. Clayton was formerly Principal Flute and Concerto Soloist with the New York Lyric Orchestra, and has performed as principal flute with the Jupiter Symphony, the National Repertory Orchestra, and at the Sarasota Music Festival.  In Utah, she is Principal Flute with the Utah Chamber Artists and performs regularly with such groups as the Utah Symphony, Utah Opera, Ballet West, the Park City Festival Chamber Orchestra, the Contemporary Music Consortium, and records for television and movie scores at L.A. East Studios.  She has been concerto soloist with orchestras in New Jersey, New York, Ohio, Colorado, and Utah.  Carol Wincenc, Dr. Bradley Garner, and Michel Debost are among her former teachers.
April Clayton presented her debut solo recital in New York’s Weill Recital Hall at Carnegie Hall under the auspices of Artists’ International.  Her recent solo CD, Flûte Agréable, was released on the Crystal Records label in August 2005.  Having performed at numerous National Flute Association conventions, she was featured by the NFA in a “Generation X All-Stars” concert at their 2005 convention in San Diego.  Accolades for her performances from the New York Concert Review, Fanfare, American Record Guide, and Flute Talk magazines describe her playing using such terms as “stunning”, “dazzling”, “impeccable”, “[played] with total conviction”, “outstanding”, “thoroughly polished”, “beguiling”, “superb”, “elegant”, and “delectable”. 
After studies in flute, violin, piano, cello, and composition, April Clayton won her first state-wide high school soloist competition at age 13, while still two years younger than the official lower age limit for the competition.  She gave a performance from memory of the Ibert Flute Concerto, often regarded as the most difficult concerto in the flute repertoire.  She subsequently won many other competitions including the Music Teacher’s National Association Woodwind Soloist Competition, the Jefferson Symphony Young Artist Competition, the Cincinnati Philharmonia Concerto Competition, and the Artists’ International Competition.  She is afour-time laureate of National Flute Association competitions.  April Clayton plays on a white and rose gold flute made for her by the Williams Flute Company. 
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